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In-depth Book Review: Hunger Games

hunger-games-review-analysis

Izzie’s Rating: 3.5-4/5
Characters: 4/5
Story: 4/5
Pacing: 3/5
Ending: 3/5

Spoiler-free review up to the jump. 

I ended up with Hunger Games when it was being passed around dinner among my friends. A whole load of them had read it and they all thought it was really, really good. After they described it as Battle Royale meets Battlestar Gallactica with a touch of Lord of the Flies, I decided to give it a go.

The premise is a bit complex; some time in the future, a natural-disaster & post-war ridden North America has fallen into a a new nation called Panem. It’s a totalitarian system of the luxurious, indulgent Capitol, the privileged inner districts, and the impoverished outer districts. A revolution breaks out, but due the the Capitol’s strategic location and superior weaponry, the rebellion fails and the 13th district completely obliterated. As punishment, the remaining 12 districts are forced into a blood-sport each year called the Hunger Games. Each must send two children, one male and one female, from the ages of 12 to 18 to a televised fight to the death. 74 years later the trilogy begins.

Through circumstance our protagonist is sent to the games and we follow her story of survival and defiance, and how it transforms her, the people around her, and the nation as a whole, for better or for worse.

I have to say; I really could not put this series down. I devoured the first half of the first book in one night, and the second half over the course of the next day between reading on the bus and at my desk when I should have been doing work. I ended up buying the set and finishing up the rest by the weekend. Since then my feelings on the series have varied greatly.

A film adaption comes out March 23, 2012.

I’m a sucker for post-apocoypic Orwellian revolutions with a touch of sci-fi, and the Hunger Games delivers on these fronts. I also admit I did get caught up a bit with the love-triangle, perhaps for the wrong reasons, but that enjoyment started to fade quickly with the second book as it became aggravating. The trilogy is targeted for a younger audience… older teens / young adult readers, so the style isn’t up to speed with, say, A Song of Ice and Fire. Collins plays up  the romantic melodrama a lot. It’s also written in 1st person from the point of view of protagonist Katniss Evergreen, so our views of the world and events are through the mind of a sixteen-year-old girl. It’s believable to a point. She is mature and cynical due to her circumstances, and she’s certainly no Bella, that’s for sure.

If I had to sum up the series, I’d give it a solid B+/A- rating. Over all, the story is really intriguing and unexpectedly addicting. The characters each carry their own unique personalities and rarely falter from that. For the most part there is a good mix of drama, action, suspense, and yes, even romance. The three books feel solid together but each carries it’s own theme and mood (something I imagine would have been distracting when waiting for the next one to come out, however, in one go it works). Now the ending is.. well, hotly debated among fans. Many people aren’t happy with it, myself included, but the whole adventure is still worthwhile.

I’d still highly recommend it to most, especially those interested and informed on the subjects of social issues and discontent within society. Panem and its situation strikes a little too close to home with the recent surge of demonstrations worldwide and it’s hard not to compare the two. Could this be our future? The sudden burst of popularity for the Hunger Games during these hectic times is something to keep a keen eye on. And despite its target audience, it’s still mature enough to handle for most readers and touches those little guilty pleasures with just the right amount of sway to give us a wonderful world to disappear into and reflect upon.

Spoiler Warning: The rest of the review is going to include some major spoilers, including character deaths. I suggest you stop now if you haven’t read it. Warning: comments may ultimately contain spoilers. 

Open Forum: For those of you who’ve read the series, what do you think? What are your views on Katniss as a protagonist? How do you think the film will affect, if at all, the recent uprising of protest? How did you like the ending?

Movie Review: Sucker Punch

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IzzieBytes Rating: 3/5 , C+
Characters: 2/5
Story: 3/5
Acting: 4/5
Effects: 5/5
Music: 4/5

Overview:
Sucker Punch is one of those movies you that if you go in expecting nothing but eye-candy, you come out with a little more. But if you had high-hopes for an in-depth, moving film, then you’ll  end up pretty disappointed.

Sucker Punch is visually stunning; amazing effects, dramatic fights, and boasts one of the best complimentary soundtracks for an action flick I’ve heard in a long time. Unfortunately, not only does it lack in just about everything else, but we kind of getting tricked into believing this is supposed to be about female empowerment, when it feels far from.

The issue is that it has a really get premise to grow from and just failed at that entirely.

The protagonist, Baby Doll (all the girls are known by their stripper names. seriously) is the target of alluded physical and sexual abuse by a vengeful, evil stepfather. When her attempt to save her little sister from the same fate results in an accidental death and framing, she’s institutionalized. Here, young women who have suffered greatly in life are treated to a unique form of therapy which involves acting out their fears and traumas.
A week after being committed, Baby Doll is lined up for a lobotomy in order to forget everything that’s been done to her, which could result in said stepfather being jailed for abuse.

The story takes place in that week. In order to better cope, the girls involve themselves into deep fantasies. This is where it gets a little confusing and Inception-like. There are 3 realities: the real world where the girls are in an asylum, Sweat Pea’s fantasy of them being in a brothel (where most of the story takes place) and then Baby Doll’s highly anime / video-game influenced action world.

Baby Doll’s super power in the brothel-world is her extremely saucy exotic dancing, which allegedly captivates all the men around her. But every time she dances, we’re taken into her world where she is a kick-ass super hero with guns and swords and dragons and explosions. Although it’s never shown or said, my guess is her “dancing” in the real world would be her therapy sessions of acting out sexual abuse.

During that time, she causes a lot of trouble for the brothel. The girls hatch an intricate escape plan to get out and be free again. There are many sacrifices along the way and it all results in a small “twist” to make you wonder, who’s head am I in anyway? The ending is sad and dramatic; we learn what’s really been going on and when you take the time to think about it, it’s much deeper than the rest of the movie implies.

Tangent begins here; it’s supposed to be empowering to women but that’s a huge joke when the girls are basically strippers and run around fighting crime in high-heels and miniskirts in what could only be described as the ultimate nerdy wet-dream.
The acting, though, was pretty good although it’s difficult to really relate to any of the characters. Emily Browning’s tortured child is disconnected, and the other girls are hard to care about, really. There’s so much action that you never get a chance to give too much of a damn about them. The star of the movie was Oscar Isaac as Blue Jones. He translates through reality and sub-reality wonderfully. He’s a creep and a baddie but extremely complex when you realize the he is just as messed up as the rest of them.

All in all, Sucker Punch is an OK flick. Good to see once to kill time and nerds will love the references and nostalgia. Probably worth the 3D effects, but it doesn’t leave a lasting impression.

Thoughts on the Shattering Part 2: Themes and Story

Entire post is spoiler ridden. Do not read if you care. You’ve been warned.

While for the most part the Shattering was lighter on the action than other novels, it was still enticing because of the political drama and feeling of impending doom we get throughout the book. We know the Cataclysm is coming. We know the shifts in power that are happening. We know who dies and who takes their place. Shattering takes us on the journey to these ends and keeps us hooked because it builds up to what we already know is inevitable but aren’t sure why and how.

Part of that drama is the almost-but-not-quite butterfly effect of the major events. Almost all of them could have been avoided and it’s very clear at what points in the story  certain characters made the decisions that would seal their fate an that of others.

Thrall at the Maelstrom

Drek’Thar’s visions of the cataclysm and desperation to talk to Thrall, and his attendant’s choice to ignore it was the first nail in the coffin. Had Polkar done as Drek asked, Thrall would have taken the visions very seriously and gone to Nagrand much earlier and could have possibly stopped the cataclysm.
Had Cairne taken more time to think about his challenge, perhaps he would have never died. If Garrosh hadn’t been so absorbed in his reputation, he may have noticed his weapon was laced with poison. What if Thrall had listened to Cairne and never made Garrosh acting warchief in the first place? What if Jaina had never given Anduin that hearthstone?

It brings a level a frustration but each decision and the series of consequences after have all attributed to setting the stage for the future.

The only thing that I wish could have been avoided fully was the coup of Thunder Bluff because it was so brutal and bloody. Dozens of innocent people were slaughtered helplessly in their sleep, and the Tauren being one of the most peaceful races makes it all the more painful.

Likewise, Moira’s claim of the throne in Ironforge is an important lesson: despite her morally questionable tactics, she and her son are the future of the Dwarven people. Her claim is her right, and her marital situation makes her child the unifying element of the separated clans. It feels unfair, sudden, and selfish, and in many ways it is. But that’s exactly the point. It is unfair.

I think the tragedy of Thunder Bluff, the coup at IF, the slaughtering at the Druid peace meeting, and the loss of Cairne and Magni are symbolic to the death of innocence, peace, and stability in Azeroth. The Tauren have always exemplified the ideals of peace and respect in it’s most basic forms, holding everything the world offers to the highest regard and as a blessing.  And the dwarves have been the pillar of perseverance, honor, and overcoming odds without losing sight of humor and celebration. Both cultures celebrate life to the fullest I think it’s no coincidence that this is why they were the ones who suffered the most.

The shifting of power within the factions is an important overall aspect to the story, largely because the three new leaders and one future king all stepped up to the plate. It’s the catalyst of a lot of change. As Thrall said, the wars have left the orcs, and likely all races, with large numbers of the old and young but missing many of those in-between who have died in battle. So the contrast between old and new, age and youth, is a powerful one.
Each situation was different: Thrall and Garrosh, Cairne and Baine, Varian and Anduin, and Magni and Moira, but they all result in the young trumping the old in one way or another. Not all were hostile. Some were tragic. But the younger generation have finally taken their places in the world. They are the future and the future is theirs; as such they have made it clear that they, not the elders, will be the ones to choose what that future will hold. Which leads me to the last part.

One of the big themes was accepting who we are and what we are meant to be despite what the world expects or demands of us. This was the journey that Thrall, Anduin, and Stormsong among others took personally, and one that Jaina, Baine, and the Dwarves took politically.
• Thrall accepted his role as a humble shaman and formally stepped down from being warchief. It was both what was best for him and what was best for the world.
• Anduin discovered his true desire to heal, not harm. Tended by Mangi’s warmth and support, he was able to bestow that wisdom to Baine and hopefully set himself up to follow his own path even if it’s against Varian’s wishes.
• Stormsong, despite his loyalty to Magatha, was able to realize what the loss of Cairne meant and chose to side with the Bloodhoof, both saving the Tauren people and securing a place for the Grimtotem among them.
• Jaina and Baine’s pact to do what they could to uphold peace is significant. While Thrall’s efforts with Jaina were important, Baine’s could possibly be even more so  because the Tauren, as a people, are more willing and desiring of peace than the orcs ever were.
• The Dwarves willingness to accept Moira and try to unify their race even in light of their loss and the circumstances was a brave and honorable decision.
• Even Gazent, the goblin who helped supply Baine’s troops with bombs, surprised us all when he only took the money he needed to provide them because he supported their goal.

The book was somber, dark, bloody, and depressing. There is a lot of loss, and a lot more frustration. But the events are there to help us realize and toughen up for what’s to come. Once Deathwing’s dark reign comes to fruition, there will be chaos all over. Innocents will die. The world will crumble.
But at the same time, hope refuses to be shut out. The political and personal stories all end with hope. Anduin and his son are reconciled. Baine has taken back his home and forged a quiet alliance with Jaina. Thrall has set the stage for a new future with Aggra and to fully realize his potential. Among the chass, many seeds have been planted.

Magatha’s words, brutal as they were, could be applied to all the world: “Like  a child, Thunder Bluff would be reborn in blood.”

So will Azeroth; but the key word to all of this, of course, is rebirth.